Author: D. A. R. G.

An artificial antithesis between East and West

“For too long we have permitted an artificial antithesis between East and West: artificial because, as Mussolini has already pointed out, it opposes to the East the modern and materialistic West, which, in fact, has little in common to the older, truer and greater Western civilisation. The modern West is just as opposed to the

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A word on Veritas Diaboli Manet in Aeternum

In perhaps one of the most musically accomplished black metal recordings of all time, S.V.E.S.T. puts forth a two-step thesis that gracefully springs across the stepping stones of theological speculation, culminating in bouts of mystical visions and philosophical open ended questions. The resulting amalgam dances seamlessly over these, while it remains clear that at the

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Ubils: C.R.U.E.L. En Concierto Antifest VII

The music of C.R.U.E.L. started out not as an extension nor a ramification of Abyssum, but as a different avenue of thought connected to a different source of inspiration. C.R.U.E.L. is the word of an infernal prophet, and this is reflected both in the hammer-like idiosyncrasies of the music and the lyrical titles which serve

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Tacky occult literature for the feeble minded

People in the modern world who are interested in the subjects of occultism and sorcery approach them in distinctly divergent ways; they also approach its exploration with different motivations and degrees of commitment, as well as different levels and ways of understanding. What is not new to occultism as a whole is the inclination towards

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Nigromante Centuries of Sacrifice

Tal como su nombre revela, el canal de inspiración que alimenta a Nigromante es una conexión mística con energías a los que solamente algunos pueden ser lo suficientemente sensibles como para cristalizar una sensación concreta o un fugaz concepto forastero a la mente que lo alberga. Las obras de este proyecto se desarrollan completamente con

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Cabeza de Buitre Herrero de Brujas

La confluencia de música electrónica de tipo ambiental, las palabras elegantes más que pretenciosas y una imagen naturalista y clara, nos dan a conocer una personalidad especialmente aristocrática, y una actitud particularmente madura hacia los nebulosos temas centrales de la obra. Al hacerlo de esta manera hay un distanciamiento y a la vez un entendimiento

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